Henri de Toulouse-Lautrec Essay -- Visual Arts Paintings Art

Henri de Toulouse-Lautrec Henri de Toulouse-Lautrec was arguably the greatest graphic artist of his time; he is best remembered for his bold, colourful posters of Parisian entertainers. His childhood years were spent at his family chateau in the southwest of France where he broke both of his legs and therefore stunted his growth. This left him ill proportioned and dwarfish. This unfortunate event probably helped his artistic ability as he spent most of his time on his own. Lautrec was at his peak as a painter and poster artist in the early 1890's at the time of the post impressionists. During his life Lautrec felt most comfortable in the nightclubs, dance halls and brothels of Paris. The narrow life he led is clearly shown in the art that he produced. Lautrec was best renowned for his paintings of the Moulin Rouge and other Parisian entertainers. Lautrec was not the first artist to make the Parisian entertainers serious subjects to paint, Edouard Manet and Edgar Degaswere among the first to paint the Paris nightlife and others soon followed their lead like Lautrec. Although Lautrec's many paintings looked spontaneous and carefree he as never "slapdash" as in he was never messy or careless. He was in fact a dedicated craftsman who knew a lot about the technical matters of his work, especially printmaking. Even after a rough night he would be up to supervise the printing of his lithographs bright and early. Lautrec always carried a small sketchbook with him so he could quickly draw or sketch whatever caught his attention and today thousands of his rapid drawings still survive in the original sketchbooks. He has also reached the elevated position of a dead artist where there is a museum dedicated to him and his work in Albi, France close to where he was born near Toulouse. In the actual paintings of his sketches he tried to keep the spontaneity of the first sketch and therefore liked to work quickly. To work fast he liked to use paint that was thinned considerably with turpentine, which was called peinture a l'essence, which allowed him to so called 'draw with the brush'. He also liked to use absorbent cardboard instead of canvas so the paint would dry quicker and therefore could maintain his momentum. Most painters have a trademark technique and Lautrec's trademark was the printmaking technique called 'crachis' or ... ...reas before this addition the painting must have been a restrained and balanced masterpiece. The unidentified redhead sitting at the table is wearing an exotic headdress that stands out magnificently against her red hair. If you look at each person they each have a distinctive hat or hairstyle as Lautrec was fascinated by different styles of headwear. The mirrored background that lines the walls gives the painting an undefined background so the silhouetted figures stand out boldly in the mirror. I liked this painting because it shows the somewhat quiet of the normally busy Moulin Rouge. The way Lautrec contrasted the brightly painted woman and the redhead at the forefront of the painting with the blacks and browns of the background also attracted me. I also admired the way Lautrec maintained the spontaneity all through his work. My favourite painting of the two that I have talked about is 'At the Moulin Rouge' because I think that this one looks more difficult to paint than 'At the Circus Fernando' as it is in greater detail and most importantly I think it looks better. But take nothing away from 'At the Circus Fernando' as this is also a brilliant piece of art.

Macbeth Outline

Outline 1. Introduction A. Macbeth and Lady Macbeth with their differences in gender and the fact that they switch roles in the play. B. Thesis Statement: In the play Macbeth, the two characters Lady Macbeth and Macbeth show how they believe in gender and how these thoughts are performed in their actions. As the situation becomes more severe they begin to fall into each other’s shoes and become what they had wanted to avoid. 2. Shakespeare’s view on gender and Lady Macbeth and Macbeth A. State the personality of the character of Lady Macbeth and Macbeth and gender in the play.B. The importance of gender between Lady Macbeth and Macbeth in the play and how they affect each other and cause them to switch their personalities and views 3. Lady Macbeth as a whole character A. Lady Macbeth from the starting of the play to the end. B. The changes that take place with her throughout the play and how they are important. State the differences between the 1st Act and the 5th Act a nd how she has become what she was trying to avoid. 4. Macbeth as a whole character A. Macbeth from the starting of the play to the endB. The changes that take place with him throughout the play and how they are important. State the differences between the 1st Act and the 5th Act and how he has become what he was trying to avoid. 5. Changes with Lady Macbeth and Macbeth A. State what these changes are throughout the play (include quotes and actions) B. The importance of these changes and how they affect both Macbeth and Lady Macbeth differently. 6. Conclusion A. Lady Macbeth and Macbeth’s role and what they are trying to pursue in the play.

A Comparative Analysis of Different Passages - 5926 Words

Charlotte Brontà « s outcry might seem exaggerated to us, but Victorian novels and paintings mostly do not picture the position of a governess in a positive way. Even if it might seem unusual, as the governess is a servant, a mere shade in the house of a family, she has yet caught the attention of artists. Maybe it is precisely her inconspicuous but obstinate presence that attracts the attention. Although she has an acknowledged status, she does not completely fit in her environment. She is different from other servants concerning social rank and education, and though belonging to the same social class (sometimes even belonging to a higher social level, being an aristocrat working in the house of a bourgeois) as the family, she has to†¦show more content†¦In fact, she seems to be an idealized image of how a governess should be and be treated. From the beginning on, she is presented as a member of the family , and the air of habitual authority with which she looked about her , spoke well for her position in Mr. Vanstone s family. This was evidently not one of the forlorn, persecuted, pitiably dependent order of governesses. Here was a woman who lived on ascertained and honorable terms with her employers--a woman who looked capable of sending any parents in England to the right-about, if they failed to rate her at her proper value. 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